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Olive Kitteridge, by Elizabeth Strout
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WINNER OF THE PULITZER PRIZE • THE EMMY AWARD–WINNING HBO MINISERIES STARRING FRANCES MCDORMAND, RICHARD JENKINS, AND BILL MURRAY
In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.
At the edge of the continent, Crosby, Maine, may seem like nowhere, but seen through this brilliant writer’s eyes, it’s in essence the whole world, and the lives that are lived there are filled with all of the grand human drama–desire, despair, jealousy, hope, and love.
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance: a former student who has lost the will to live: Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life–sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition–its conflicts, its tragedies and joys, and the endurance it requires.
NAMED ONE OF THE BEST BOOK OF THE YEAR BY
People • USA Today • The Atlantic • The Washington Post Book World • Seattle Post-Intelligencer • Entertainment Weekly • The Christian Science Monitor • San Francisco Chronicle • Salon • San Antonio Express-News • Chicago Tribune • The Wall Street Journal
“Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout’s unforgettable novel in stories.”—O: The Oprah Magazine
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff.”—USA Today
“Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she’s not onstage, we look forward to her return. The book is a page-turner because of her.”—San Francisco Chronicle
“Olive Kitteridge still lingers in memory like a treasured photograph.”—Seattle Post-Intelligencer
“Rarely does a story collection pack such a gutsy emotional punch.”—Entertainment Weekly
“Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.”—The New Yorker
From the Hardcover edition.
- Sales Rank: #10486 in Books
- Brand: Random House Trade Paperbacks
- Published on: 2008-09-30
- Released on: 2008-09-30
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l,
- Binding: Paperback
- 320 pages
Features
From Publishers Weekly
Starred Review. Thirteen linked tales from Strout (Abide with Me, etc.) present a heart-wrenching, penetrating portrait of ordinary coastal Mainers living lives of quiet grief intermingled with flashes of human connection. The opening Pharmacy focuses on terse, dry junior high-school teacher Olive Kitteridge and her gregarious pharmacist husband, Henry, both of whom have survived the loss of a psychologically damaged parent, and both of whom suffer painful attractions to co-workers. Their son, Christopher, takes center stage in A Little Burst, which describes his wedding in humorous, somewhat disturbing detail, and in Security, where Olive, in her 70s, visits Christopher and his family in New York. Strout's fiction showcases her ability to reveal through familiar details—the mother-of-the-groom's wedding dress, a grandmother's disapproving observations of how her grandchildren are raised—the seeds of tragedy. Themes of suicide, depression, bad communication, aging and love, run through these stories, none more vivid or touching than Incoming Tide, where Olive chats with former student Kevin Coulson as they watch waitress Patty Howe by the seashore, all three struggling with their own misgivings about life. Like this story, the collection is easy to read and impossible to forget. Its literary craft and emotional power will surprise readers unfamiliar with Strout. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* “Hell. We’re always alone. Born alone. Die alone,” says Olive Kitteridge, redoubtable seventh-grade math teacher in Crosby, Maine. Anyone who gets in Olive’s way had better watch out, for she crashes unapologetically through life like an emotional storm trooper. She forces her husband, Henry, the town pharmacist, into tactical retreat; and she drives her beloved son, Christopher, across the country and into therapy. But appalling though Olive can be, Strout manages to make her deeply human and even sympathetic, as are all of the characters in this “novel in stories.” Covering a period of 30-odd years, most of the stories (several of which were previously published in the New Yorker and other magazines) feature Olive as their focus, but in some she is bit player or even a footnote while other characters take center stage to sort through their own fears and insecurities. Though loneliness and loss haunt these pages, Strout also supplies gentle humor and a nourishing dose of hope. People are sustained by the rhythms of ordinary life and the natural wonders of coastal Maine, and even Olive is sometimes caught off guard by life’s baffling beauty. Strout is also the author of the well-received Amy and Isabelle (1999) and Abide with Me (2006). --Mary Ellen Quinn
Review
“Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout’s unforgettable novel in stories.”—O: The Oprah Magazine
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff.”—USA Today
“Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she’s not onstage, we look forward to her return. The book is a page-turner because of her.”—San Francisco Chronicle
“Olive Kitteridge still lingers in memory like a treasured photograph.”—Seattle Post-Intelligencer
“Rarely does a story collection pack such a gutsy emotional punch.”—Entertainment Weekly
“Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.”—The New Yorker
From the Hardcover edition.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Beautiful and Enriching Novel
By Ron Johnson
At over 1,500 reviews, I know my review won't make a difference, but I just wrote a negative review, so I felt the need to balance things out. I'll make this brief.
This is one of the most outstanding novels I've ever read. I normally don't reread books, but this one will be the exception. Stout tells small stories about small people, in a small town, but none of this is small, because Stout reveals that all of our stories--and yes this is an every person type of book, are beautiful. Stout's empathetic authorial voice is beautiful. Beautiful is a word I use over and over describing this book. Her use of language is heart bracingly beautiful to the point where sometimes I had to put the book down just to absorb the profound pathos she describes.
I promised a short review, so I will conclude by saying my life has been enriched by reading this novel.
1 of 1 people found the following review helpful.
"Olive Kitteridge" is about life everywhere. . .
By Eden
Why do people read books? as escapism from one's life? to be inspired by what one learns by reading to live a better life? Olive Kitteridge is a book about a woman who is true to herself, despite her family's past, despite her own blunt personality and despite being married to a man she is not happy with although she knows he loves her despite herself.
There are thirteen stories in which the character, Olive Kitteridge, appears. They are not all about her. But in each one, a facet of who she is is revealed. The book spans over twenty-five years so that the reader can see what happens to the awkward youth in junior school who grow up to get married, divorced and to think about life's meaning themselves. Olive is not easy on those she loves and they hardly feel the commitment and loyalty she has towards them because of the manner in which she snaps at or criticizes them. She is quick to retort and slow to apologize (only once in their marriage.) You might not like her but all of us knows someone like her. Moreover, many of us are like parts of her.
The richness and depth of this character and the sublime ways by which her truest, deepest feelings are revealed make me appreciate how complex people and life are in my own family and the town we live in. Although the stories are set in a small town in Maine, I can see people's behavior so similar to them paralleled in the working-class town I live in here in Central Massachusetts. The poignancy is striking because there seem to be no places on earth where family weaknesses and unrequited yearning do not exist side by side.
It's no wonder that this book was awarded the Pulitzer Prize.
1 of 1 people found the following review helpful.
The long way home
By Mind'sEye
I think this book is unusual and sophisticated in the characters and the way in which the stories are told. It is also very well written. The reason for my lukewarm response is simply that I found it something of a depressing slog. I know the old saw "life is hard and then you die," but this was a slow death indeed. Insights and bright moments of connection along the way, to be sure, but for me, extremely oppressive. Like writing about "boredom" by being incredibly boring. It works, it's true, but it's a pretty unpleasant experience.
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