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Set in Korea and the United States from the postwar era to contemporary times, Krys Lee's stunning fiction debut illuminates a people struggling to reconcile the turmoil of their collective past with the rewards and challenges of their present. Amid the famine in North Korea, the financial crisis of South Korea, and the cramped apartments and Koreatown strip malls of the United States, Krys Lee's vivid and luminous tales speak to the political and financial hardships of life in Korea and the uniquely unmoored immigrant experience.

            In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work exploring love, identity, war, and the homes we make for ourselves, by a dazzling new writer.

• Sales Rank: #232050 in Books
• Published on: 2012-12-24
• Released on: 2012-12-24
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .60" w x 5.10" l, .37 pounds
• Binding: Paperback
• 224 pages

From Booklist
Lee’s debut story collection features diverse characters confronting the terms of their distinct situations and misfortunes, exploring the borders between lost homelands and shifting relationships. In “A Temporary Marriage,” Mrs. Shin leaves Seoul for California to find her young daughter, kidnapped three years earlier by her ex-husband. She arranges a sham marriage with Korean emigrate Mr. Rhee, a relationship that becomes more nuanced as Mrs. Shin’s search intensifies. In the devastating title tale, three young siblings have no choice but to flee famine-ravaged North Korea for China, a journey that leads to harrowing decisions. “The Salaryman” follows a South Korean businessman as his life spirals out of control after he is fired from his job. “At the Edge of the World” portrays nine-year-old Mark Lee and his parents as they navigate their new life in Los Angeles, while Mark’s father struggles to come to terms with his past. Varying in settings from North and South Korea to the U.S., from postwar to present age, Lee’s nine tales offer haunting perspectives of dislocation and reconciliation. --Leah Strauss

Review
“In nine haunting tales, this Korean-born author . . . writes of the psychological fallout from Korea's troubled history and the toll on families living in a fractured world. . . . The metaphor of the drifting house serves as an apt, unifying roof over these harrowing, tragic stories about unmoored characters who find themselves neither here nor there. Lee . . . is well on her way to a promising literary career.” —NPR.org


“When reading the stories of debut author Krys Lee's Drifting House, the simplicity and restraint of the writer come to the fore: declarative sentences, no fulsome descriptions despite the exotic locales of some of her stories. It is in this quiet confidence that the true strangeness and beauty of the work can emerge. . . . It is the cool telling that allows the tectonic plates of history, social forces and circumstances to move beneath these stories, conveying the feeling that something urgent and profound is at stake, beyond the lives of these striving, damaged and unforgettable characters.” —Marie Myung-Ok Lee, San Francisco Chronicle

“This powerful debut collection takes an unflinching look at the reality of life in Korea. . . . Lee plumbs the darkness on both sides of this divided nation. . . . Hers is a unique approach. . . . By showing these authentic, everyday people at dramatic and pivotal moments, Krys Lee strips them to the core of their humanity. Her vision is a solemn one, but an important one too.” —Financial Times


“Krys Lee . . . is already a precise stylist and an unflinching observer of the unfortunate lot of her compatriots, those who stay [in Korea] and those who make it to the States. . . . In the best stories, like the tragic yet luminous ‘A Small Sorrow,’ the story of a flawed marriage and an artistic rivalry, Lee's psychological acuity is empathetic under its unsentimental portraiture.”

—The Minneapolis Star Tribune

“Drifting House has shades of Jhumpa Lahiri’s Unaccustomed Earth in its rendering of split cultural identities. But even more, it recalls Alice Munro’s Too Much Happiness, holding beauty and brutality in an elegant equipoise. . . . In her textured, knowing and brilliant debut, Lee tells hard truths, tenderly.”

—The Kansas City Star

“If there's one thing Krys Lee knows how to do it's use history and culture as the boards and backdrop of a narrative while allowing her characters to take centre-stage. . . . The two finest stories in the collection, ‘Drifting House’ and ‘The Believer,’ achieve extraordinary feats within a few pages— murder, madness, haunting, loss of faith and more.”

—The Guardian (London)

“Insightful. . . . A keen observation of the layers of Korean society the past few generations, and of the dualities that have shaped the peninsula and its people. . . . The collection is at its best in exploring the duality of past and future, of memory and hope. And it is often at its best. . . . A part tragic and part nostalgic perspective of modern Korea.”

—The Pittsburgh Post-Gazette

“Drifting House offers a rare look at how damaging politics takes a personal turn, undermining even what we are able to call home. . . . The greatest strength of these nine stories is Lee’s ability to locate them in the strange and brutal dimensions of lives distorted by dictatorship, exile, expatriation, and even hunger. Her stories also slide through the quiet violence of divorce, loneliness, parenthood, and erotic attraction. . . . Lee is a patient storyteller with a distanced, mostly omniscient point of view. Such a sweeping, plain-style narration is essential for lacing together a collection that unfolds in three countries. The even tone lifts these stories out of melodrama and turns them instead into pristine things that are as unsparing as they are compassionate.”

—The Daily Beast

“Identity, loneliness and survival haunt Drifting House, Krys Lee’s debut collection of short stories. . . . Ms Lee has a natural gift for storytelling and her writing displays a rare clarity. The dark images embedded in these stories reveal a world ravaged by pain and conflict, and explore what drives human beings at their most primordial.”

—The Economist

“If you are a short story lover, a reader who isn't afraid of true things, a person who knows every other person around them hides multitudes of both light and dark secrets, read Drifting House.”

—The Seattle Post Intelligencer

“However dark their fates might be, Lee blesses her characters with passions forged from the flames of suffering. The survivors of Drifting House are those who dare to find their salvation in small moments of beauty and connection, who have endured great losses, but pick themselves up and keep moving forward. . . . Drifting House reminds us of the illumination that comes from recognizing the shakiness of the ground under our feet. We tell ourselves that we are in control of our stories, but we never are. Lee’s survivors know the truth: Control isn’t possible. Once we accept that, we take our first, small steps toward grace.”

—Heather Havrilesky, The Los Angeles Review of Books

“Stunning. . . . There is a stark beauty to Lee’s writing. Drifting House offers a poignant glimpse into lives divided by history. . . . If you were to substitute the copious soju (a strong Korean spirit similar to sake) consumed here for bourbon, this could be Raymond Carver.”

—The Daily Telegraph (London)

“As they sift through the emotional wreckage left by civil war, political brutalities, financial collapse, and the prosaic details of getting by in places they're unwelcome, the individuals in Drifting House reach for resilience amid nearly unimaginable hardship. Lee, who splits her time between South Korea and the United States, is an empathetic chronicler of a perpetually displaced people, writing with the immediacy of someone who has lived their experience.”

—SF Weekly

“What wonderful and haunting worlds Krys Lee illuminates—a goose for a goose father, a sympathetic wife made bold by her husband’s infidelity—all facets of a Korea and a Korean America made new by this exciting writer’s entrancing vision.”

—Janice Y. K. Lee, author of New York Times bestselling The Piano Teacher

“Impressive. . . . The moral battle between good and evil that resonates through this collection reminds the reader of much of Flannery O’Connor’s short fiction.”

—Asia Literary Review

“Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives.”

—Sarah Shun-lien Bynum, National Book Award finalist; author of Ms. Hempel Chronicles

“Set in both America and Korea, these are subtle, haunting stories that explore the lives of people caught between two cultures.”

—The Sunday Times (London)

“Almost every story in Krys Lee’s collection Drifting House pulls you in, and begins to work with you as patiently as a novel. A bit of deft characterization here, a subtle pull at your sympathies there, and twenty pages pass quickly by.”

—The Seattle Star

“Drifting House . . . lays bare [the] wounds of Korea and draws the reader into this fractured world. . . . Krys Lee does not work on a small canvas, and her vision and imagination startle and shock.”

—The Washington Independent Review of Books

"Krys Lee’s fascinating stories take place in gaps in the world, the surreal places that are in fact reality for her Korean characters, both at home and abroad. In those interstices there is horror and humor; there is sometimes haunting sadness, and there is on occasion grace."

—Jane Hamilton, New York Times bestselling author of A Map of the World and The Book of Ruth

“Affecting stories about the conflicts between Korean and American culture. . . . Lee writes with a clarity and simplicity of style that discloses deep and conflicting emotions about cultural identity.”

—Kirkus Reviews (Starred Review)

“Breathtaking debut. . . . Readers in search of exquisite short fiction beyond their comfort zone—groupies of Jhumpa Lahiri ... and Yoko Tawada—will thrill to discover Drifting House.”

—Library Journal (Starred Review)

“Sometimes, with luck, passion, and great skill, fiction accomplishes things nothing else can, things of magical and abiding significance. Krys Lee’s debut story collection is such a book. Drifting House is important for its heartbreaking depiction of the often horrifying plight of North and South Korean immigrants struggling to find dignity and self-definition in their new lives. It introduces us to a subject as old as human struggle itself, and a powerful new writer of highly lyrical gifts.”

—Philip Schultz, Pulitzer Prize–winning author of Failure

“A shimmering, variegated collection. . . . Masterful. . . . Lee reminds readers . . . that hardship is worth paying attention to, not just for the empathy it draws forth, or for the strength found in characters who manage to come out on the other side, but for its ability to connect people across time and cultures.”

—BookBrowse

“Krys Lee’s debut collection literally takes your breath away in its unflinching portrayl of displacement. . . . Even in her darkest, most startling depictions, Lee is full of grace.”

—Pop Culture Nerd

“[An] excellent debut. . . . Lee explores and highlights several aspects of Koreans and Korean Americans that are never discussed outside of the confines of those cultures. . . . Lee manages to accomplish a massive task: to explore modern Koreans and their place in both the U.S. and at home, in Seoul. Lee herself straddles both of these cultures, and proves to be a worthy ambassador for both.”

—Hyphen

“Elegant.”—Kansas City Star

About the Author
Krys Lee is the author of Drifting House and How I Became a North Korean. She is a recipient of the Rome Prize and the Story Prize Spotlight Award, the Honor Title in Adult Fiction Literature from the Asian/Pacific American Libraries Association, and a finalist for the BBC International Story Prize. Her fiction, journalism, and literary translations have appeared in Granta, The Kenyon Review, Narrative, San Francisco Chronicle, Corriere della Sera, andThe Guardian, among others. She is an assistant professor of creative writing and literature at Yonsei University, Underwood International College, in South Korea.

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6 of 6 people found the following review helpful.
We All Live in Drifting Houses
By Fairbanks Reader - Bonnie Brody
Drifting House by Krys Lee is one of the very best collections of short stories I have ever read. They are right up there with Alice Munroe. The stories are all about Korean people, their culture in Korea and the immigrant experience in the United States. The stories share several thematic elements: loss, separation, solitude, a sense of being out of place and situations of violence that are often painful to read. The author examines the limits of what human beings are capable of and how they endure.

In A Temporary Marriage, a woman leaves Korea for the United States in the hopes of finding her daughter who her ex-husband kidnapped. She enters into a marriage of convenience in order to have the correct paperwork to be in the United States. Here, she searches for her daughter in California.

At the Edge of the World is about Mark, "nine years old and he knew everything". He is more like nine years old going on forty. However, he is friendless and the other children his age torment him in endless ways. When a girl his age, Chanhee, moves in next door, they befriend each other. Chanhee's mother is a shaman and Mark's mother is a christian who despises shamanism. When Mark's father visits the shaman, all hell breaks loose in the family.

The Pastor's son is about the cycle of family violence and abuse. After the death of his mother, Jingyu and his father move to Seoul where his father marries his dead wife's best friend, a promise he'd made to his first wife before she died. There ensues a family from hell despite the pastor supposedly being a man of god. The pastor's son says, in a moment of insight, "I saw the violence that my father had grown up with and passed down to us. I felt what my father must have always carried with him: the terrible war, its long ago shadow that cast far beyond and drew you in like a thirsty curse".

In The Goose Father, Gilho is a goose father, a man in Korea who supports his family living overseas in the United States. To assuage his loneliness, he takes in a tenant, Wuseong. Gilho's life becomes transformed and reaffirmed in ways he could never have predicted.

The Salaryman is a very powerful story about the financial crisis in Korea and a worker who is let go. He gives everything he has to his wife and children and takes to living in the streets - desolate, lonely and hopeless.

Drifting House is about two young boys and their crippled sister who trek from N. Korea to China to try to find their mother who deserted them. The life of poverty they live is inconceivable; "an eleven-year-old with a body withering on two years of boiled tree bark, mashed roots, and the occasional grilled rat and fried crickets on a stick". Finding an acorn that can be divided in three portions is a real gift to them. Some of the people in their village have even reverted to cannabalism in order to stave off their hunger.

The Believer is one of the more violent stories in the book. Jenny had always believed in god and was even attending seminary school. However, she loses faith when she comes home to the site of a violent murder committed by her mother. Their family falls apart and despite the excrutiating emotional violence that Jenny endures, her search for god continues.

The stories are all about people who are dislodged from their lives in some way, passing time until something new might possibly occur. Many are waiting for an epiphany that is just beyond reach. They are caught up in the cycle of poverty, the immigrant experience, family violence, and the absoluteness of time. Some are dealing with sexual issues or sexual awakenings. They all live in a drifting house, some carrying their homes on their backs and others going from one land to another. This is a brilliant book and I highly recommend it.

4 of 5 people found the following review helpful.
Beautiful but Frustrating
By Suzi
At times, I felt like Lee's writing was beautiful in a simple but poised manner. There were passages that were so heart-wrenching that I could have cried. Lee often writes with wonderful and stunning imagery, that you feel like you can understand why this collection of short stories has received so many good reviews and praise. However - for me - there was as much frustration in reading these short stories as there was wonder,if not more. Her painfully literal translations of Korean phrases is jarring and often disrupts the flow of her work. While you know that the characters are not actually saying these literal sentences in English for someone who may not be familiar with the Korean language, it's awkward to have these well-developed characters full of personality saying such mechanical sentences to one another. They words lose their meaning when you make them so exact and the characters are no longer as believable. When my upperclassmen ask "' '''?" (Pap mogosso)they aren't asking if I have had rice exactly but simply whether or not I've eaten anything yet. These literal translations are so distracting and that is such a shame.

There were also times when characters would do something that seemed to clash with everything else the character has done and who the character has been explained to be. I feel like the juxtapositions could be truly meaningful, and I'm sure that they were written purposely, but without some kind of justification of these seemingly bizarre change in action or personality, they detract from the integrity of the characters. I also found some of the texts to be awfully word, or there were sensory overloads that took away from the deeper meaning of the story. Krys Lee has so much to say and so much too share, but so much of it gets lost along the way. Reading this collection I felt like a professor who has a brilliant student who just doesn't see the value or the point in making that extra effort in their work. I feel that you can always read Lee's potential to be a truly great writer, but she rarely seemed to fulfill that potential for me. Her work often left me with a feeling that she has an uncomfortable detachment to the subjects she writes about, I felt like she struggled to express these things that she didn't fully know herself, particularly in her story "Drifting House".

But, having said all of this, I would like to say that there were several stories in this collection that I absolutely adored - "At the Edge of the World", "The Goose Father", and "The Salaryman". And "The Pastor's Son" and "A Small Sorrow" almost made the cut as well. In these, Krys Lee effectively portrays these very human and genuine characters with real struggles that a large audience can identify with. They are Korean, and their Korean identities is a strong part of who they are and why they are but these factors don't overwhelm who they are as individuals or override their unique personal conflicts. In my opinion these stories - where Lee isn't trying too hard to present everthing as Korean or Korean-American, but simply showing us people and their everyday battles - are the most beautiful of all. I think that if she can find her voice and continue to write honest and penetrating stories like these I would quickly add her to my list of favorite authors. I honestly think these five stories make buying the collection of nine worth it, if only to get an idea of what she may come up with next.

2 of 2 people found the following review helpful.
One dimensional
By Prunella K.
I read this book on the recommendation of the author of The Orphan Master's Son. Unfortunately for this book, I read it immediately after The Orphan Master's Son, and it suffered by comparison. The process of degeneration in the Salaryman stories was brilliantly laid out. But the other stories, excepting the one about the couple with the unconventional marriage, were about people exhibiting extreme behavior that was hard to empathize with. It seemed as though immigration brought out tendencies already present in their personalities but this was not discussed. The book needed some balance.

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• Published on: 1991
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• Sales Rank: #4799502 in Books
• Published on: 1987-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.50" w x .50" l,
• Binding: Paperback
• 144 pages

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0 of 0 people found the following review helpful.
Brief Overview
By Scarletjinx
This is a brief overview of the industry, much like a beginning textbook. It is good for an absolute beginner to get a sense of the process, but for those seeking to learn more, it leaves you unfulfilled.

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[T182.Ebook] Download The Ethics of Uncertainty: Aporetic Openings (Think Media: Egs Media Philosophy), by Michael Anker

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The Ethics of Uncertainty asks what it means to live, act, decide, and respond responsibly, in the aporia of freedom itself - a freedom which on one hand opens us to the open space of possible possibilities, and on the other, leaves us no stable ground or measure for pre/determined decision making. The aporia of freedom is conditioned by the indeterminate space of knowing we must make decisions, and yet, at the same time, we cannot call on an absolute authority or measure as a guide. Aporias open us to freedom, the place where, as Derrida has taught us, an ethical decision may occur. Allowing indeterminacy to exist in our becoming allows a continuous coming to be with others - a becoming always open to the "to come" (Derrida) of the future. Always drawing us toward the possibility of making a decision within the fabric of indecision, aporias give us the possibility of ethical becoming. Overall, this text points us to the possibility of living an ethical life in a world without absolute measure - an ethics, in other words, of uncertainty. Michael Anker currently teaches philosophy at the College of New Rochelle in New York and a workshop at the European Graduate School (Switzerland).

• Sales Rank: #1804607 in Books
• Brand: Brand: Atropos Press
• Published on: 2009-01-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .28" w x 5.51" l, .35 pounds
• Binding: Paperback
• 120 pages

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About the Author
Schirmacher is a philosopher of technology. He currently teaches Media Philosophy at the New School for Social Research in New York and is Professor in the Science-Technology-Society Program at Penn State University.

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A Comprehensive Review
By Lionel H. Claris
Nowadays it seems more often the case than not that in the demanding terrain of continentally influenced ethics, the discussions are as difficult to read as they are seemingly detached from real life. Michael Anker's recent contribution to ethical philosophy, The Ethics of Uncertainty: Aporetic Openings, is an exception to what is almost a rule. Indeed, while his work is grounded in thinkers whose texts are dense, his rendition and exploration of it all, without sacrificing depth, is not only breathtakingly incisive, but its prose is clear and his arguments articulate.

Anker convincingly invites the critical, introspective reader to make possibly momentous realizations about the uncertain, yet "not ... in binary opposition to certainty" (21), existentially aporetic nature of lived ethics. The word aporetic is derived from the term a-poria whose etymology teaches us that it refers to something impassable, literally without-passage. An aporetic opening, therefore, is an aperture where, for example in certainty, it was thought there could not be any. This uncertainty is thus not a kind of black hole, diametrically opposite to certainty, but instead it is a critical rapport to certainty. Notwithstanding one's agreement or disagreement with Anker's thesis, this work is required reading for anyone thinking critically at the intersection of contemporary political philosophy and ethics.

The question this book articulates an answer to is inspired by several critical thinkers, spanning from the first half of the nineteenth century until today. Anker asks the question as follows: "what does it mean to live, act, decide, respond, etc., in the aporia of freedom itself, a freedom which on one hand opens us to the pure opening ... of possible possibilities, and on the other, leaves us no solidified mark or measure for pre/determined determination?" (105) In other words, unlike with prescriptive ethics, if we assume the existential reality of freedom in the ethical situation, given the lack of authority within freedom in the determining of what characterizes a right or wrong action, how are we to act ethically? Such ethical circumstances seem equally liberating as overwhelming responsibility-ridden? This question finds its early historical grounding most in Kierkegaard's formulation: "freedom's actuality." (105)

Bringing together such divergent thinkers as Zizek, Derrida, Dewey, Nietzsche, Schirmacher and others, Anker convincingly argues for the possibility of living an ethical life not motivated or limited by any absolutes. Instead, he makes the strong case, taking his cue from Derrida, that we must first "endure the aporia" (99) before any ethical act to be actualized. This is because as Derrida points out most forcefully: "A decision that did not go through the ordeal of the undecidable would not be a free decision, it would only be a programmable application of unfolding of a calculable process. It might be legal; it would not be just." (60) This is perhaps the central point to Anker's argument and a motif that is recurrent all throughout the book. In the author's own words: "I believe along with Derrida, that it is only possible to live up to such things as responsibility and decision if one first `endures the aporia' or `double bind' which precedes, maintains, and follows any act of determinacy." (10) [This is characteristic also, I find, of the very process I am going through in writing this review. Having to decide what and how to write, must, if it is not going to be simply a re-iteration of the points made in the book, engage with aporetic openings - letting the becoming of the very ideas exposed in the text transport themselves, and by the same token me as well, elsewhere.] To be clear, the thesis is that equipped with the logical realization that no ethical decision worthy of the phrase can be actualized as the simple application of a calculable algorithm, one must experience firsthand the at first seemingly impossible character of the ethical context. If we do so, then unexpectedly a free new perspective from which to act, a kind of "decision within indecision" (61), is born. Such decision encompasses all the knowledge, sides, and thinking that might have been acknowledged prior reaching indecision, but it goes beyond them, it is creative, and that is why it is just.

Central to Anker's overall argument are two interrelated theses. The first one is a syn-thesis he derives from most of the thinkers he considers: "as something is coming to be it is always already becoming other" (12). This not only implies that since everything and everyone is always and always has been in a state of change there are no origins per se, but also that there are no knowable predetermined ends either. Secondly, this is directly relevant to what I would refer to as the relational thesis: that "without relation, or without the `between' of relations, there would be no change or transformation as event." (16) The author goes as far as specifying: "all things exist only in relation..." (16) [Notably, J. Krishnamurti (K) is known for having made all his life, even earlier than in his second book, The First and Last Freedom, in oral addresses, a very similar statement, that: "to be is to be related." (Chapter 14) K and that statement in particular has had an influence on my work and life. I see a very interesting, potentially rich link between what is advanced by K in terms of ethical questions and post-structuralist ethics.]

Here the author is intimately referring to Heidegger's Mitsein (being-with), Nancy's significant use of it, and also "Derrida's analysis of ... différance" (16). For Nancy, to be is to be with: "Being cannot be anything but being-with-one-another, circulating in the with and as the with of this singularly plural coexistence." (107, in Being Singular Plural, 3) In Derrida this takes a related but more deconstructive turn. Indeed, because of what différance does, it differs and it defers, it is relational through and through. Always situating itself somewhere different in between binary oppositions, différance keeps things undecidably related. Thus by showing there is no essence, since that notion is an illusionary metaphysical desire for certainty, différance keeps things open for the aporetically ethical. All there is are deferred differences. Anker sums it up nicely: "Differences create deferral and deferral creates differences." (54)

Strictly speaking, however, many would at first frown upon such an uncertain approach to ethics for despite its clarity it may still seem abstract, impractical. Concretely and materially speaking how are we to come to an ethical decision if we can never count on a hard concept or reality to guide us towards what to do? Anker acknowledges such concerns: "aporetic space does not lead to infinite deferral or indefinite suspension as some may expect." (24) He goes further and is cautious to point out at the beginning of the book: "there is a `empirico-materialist' strain in the tradition of Nietzsche, Dewey, and Deleuze..." (11) Taking Zizek, today's perhaps most vehement critic of dogmatic, theological and teleological thinking, Anker points out that in a very real sense he is backed up by Zizek himself on this relativism charge.

Indeed, in one of Zizek's influential recent books [The Parallax View] he writes, surprisingly in defense of Derrida, wanting to point out "the proximity of this `minimal difference' to what he called différance, this neologism whose notoriety obfuscates its unprecedented materialist potential." (9-10) However, agreeing with one of Zizek's claims, many of which have come to be expected to be playfully contradictory, while lending some credibility, will just not suffice in proving anything. Anker knows this and that is why he hopes nevertheless "in agreement with Zizek, to not only unleash the "materialist potential" in Derrida's notion of différance, but of all such notions utilized for a thinking on ethics ... in and with this world as such." (11)

As a result, Anker sets out to show how the affirmation of uncertainty or the enduring of aporia does not lead to political paralysis, but quite the contrary, that the undecidable might be an obligation for any ethical and not mechanical decision to take place. To do so he needs to show that "any decision which does not simultaneously open itself up to other possibilities risks the danger of becoming totalized and absolute." (34) He does it very well by demonstrating, for example, that "if one knows where one is going, there is no need for decision, for it is simply a matter of following a path." (44) The path may have been valid at some point in a different context but to use the same path now prevents from inventing the appropriate way for today's new ethical situation. Derrida explains this and Anker cites him: "Such, in fact, is the paradoxical condition of every decision: it cannot be deduced from a form of knowledge of which it would simply be the effect, conclusion, or explicitation." (64) From a purely logical standpoint, therefore, it seems thus far to make perfect sense that if we follow a prescribed ethics all we end up with is "the violence of totalization." (43) Kierkegaard's freedom with which we began must therefore be tapped as the active resistance to the totalizing mission of traditional ethics.

Yet beyond sheer logicality, invariably, the existential, emotional come into the picture, infecting the very logic of aporia with ironically empirico-materialist angst. Anker generally seems to agree: "This existential stance is of importance for it combines the uncertainty, the anxiety (my emphasis), and the instability of transformative becoming into a possible precursor to thinking ethics." (23) But perhaps the author has not considered enough of the implications? Indeed, a level of complication is added experientially in that with aporia can come feelings of anxiety, being in the way of the self psychologically remaining in the unknown and indeed enduring aporia. Anker is to be commended for bringing up the anxiety level of experience throughout his text for it is often not made explicit in deconstructionist discourse. However, one of the questions implied then becomes: what is the empirical experience of aporia? Indeed, based on the author's helpful opening on this I want to raise questions where his narrative can be taken further, taking it for example, to the relationship of self-to-self as constitutive of the relationship of self-to-other.

First, however, let us become clearer on the nature of Anker's opening, that is, let us examine what anxiety is and how it comes to be in relation to aporia. In one of his three conversations of Nietzsche he conclusively argues: "contemporary views on anxiety and obsession have a lot to learn from Nietzsche for anxiety in itself is not the problem; it is the symptoms expressed in the intolerance and inability to sustain uncertainty itself." (91) This is key because if is the case, as I believe it is, that anxiety itself is not an issue then it means we must challenge the typical negative connotations that gravitate around it. Anker points out "indecision is usually considered a state from which one should quickly depart by way of resolve. ... Being caught up in the anxiety of indecision is ... viewed as a weakness of mind." (29) Instead, he wants to "to re-think anxiety as a positive potentiality before it reaches the negative symptomology expressed in an inability to maintain uncertainty." (91)

This is significant for there are entire industries built on encouraging avoidance of uncertainty et al. The media tends to function in such a way as to present issues as if there were only certain sides to them while others are ignored or debased. Moreover, pressure to placate ourselves with vain entertainment is abundant. Perhaps we could say this is a form of manipulation. It is in this light it seems the author, going beyond the thinkers he examined, "wish[es] to suggest ... it is of ethical importance to turn away ... from the distraction of particulars and turn toward the fundamental anxiety of nothing. ... we can perhaps ... decide in the temporality of hesitation. ... a decision may occur, and thus also the responsibility of being in a world with others." (100) In short, Anker concludes that to lead an ethical life we must put a stop to the vain, unproductive and in the end unethical search for an anxiety-free life, and instead espouse the ethical promise of aporia that comes with allowing the anxiety in the face of the unknown. All in all, by drawing from several sources that share with him the struggle to find ways to overcome uncritical patterns of thinking that exclude the differences that make life worth living and ethical, Anker articulated a vision that is logically consistent and ethical.

Nevertheless, to be psycho-logically consistent with Anker's methodological goal to enunciate an empirico-materialist view, practically speaking how are we to "endure the aporia" (99) when anxiety is experienced in the context of a conditioned desire for certainty? Should not that very desire be deconstructed? It is interesting that the author, both in the light of his methodological goal and despite creating a bridge between post-structuralist discourse and the existential notion of anxiety, does not go there. [To be fair to Anker, he cannot really be blamed for this in the sense that, at least to the best of my knowledge, the philosophers he examines the most, Nietzsche, Derrida and Nancy, do not generally point in that direction either. Why they do not is a very interesting question.] This is perhaps because in the final analysis Anker makes of anxiety everything but an experiential and physical notion. Indeed, he says: "Without this a priori anxiety, there in fact would be no such things as decision..." (91) Furthermore, by proclaiming anxiety above as follows, "the fundamental anxiety of nothing" (100), by not delineating the experientially-aporetic aspects of it, he runs the risk of making anxiety the very transcendental notion he argued against. Yet, by taking our cue from Anker's exploration of the relationship between aporia and anxiety we may here start to point towards where such an analysis may lead, which I believe would not be against Anker's thesis, but would strengthen it by grounding it in the worldly matters of, in this case, the emotion of anxiety.

Anker suggests there is a two-way relationship between aporia and anxiety in that they imply each another: "Aporias thus have an intimate two-fold relation to anxiety, in the sense that aporias not only create anxiety, but anxiety furthermore maintains the open aporetic space of possibility/impossibility. (22) However, empirically speaking there is an additional layer. While I see the potential for the undecidable in-between of aporia and anxiety, I do not see their mutual relationship as necessarily ethical. Here again, the relationship between the two terms should not be reduced to be that of logic only. It is not anxiety alone that maintains the aporetic space but rather what is done with such an emotion. Anxiety is a shifting and doubling sentiment, one that can either be manifesting itself as an open ethical space, or one that is quite the opposite as, taking the example we saw already, when it is derived as a symptom. In fact, Anker points part of this out: "To view anxiety as a symptom is to miss the fundamentally positive potentiality of an ontological restlessness that precedes notions of decision and responsibility." (91) The question becomes that of the relationship of self-to-self in the face of anxiety and how that relation affects the relation to other. In more philosophical terms, the question is to do with solipsism.

We may begin to answer partially these questions from Anker's text itself. For instance, Anker uses several authors throughout the book that speak to the relationship of self-to-self. He paraphrases Derrida to point out that the relation of oneself to oneself is such that one is never one with oneself: "a being cannot simply be one with itself, or self-identical with itself." (46) Moreover, in one of his discussions of Nancy, Anker explains the relationship to the self is that of being related to multiple selves: "The ego (subject) is not alone even by itself, or in itself; it is always already with itself as multiple selves." (70) The author explains Heidegger on this point too: "We are ... continuously thrown outside ourselves or in excess of our being by the movement of becoming." (22) Therefore, the relation to self is the very manifestation of the self as always already interrupted by the other, be it something or someone. [Here it would have been very helpful for the author to use Butler's analysis of the interrupted self by the other in "Giving an Account of Oneself."]

As for the relationship of self-to-other, based on the above depiction of the relationship of self-to-self, the author first uses Nancy for a rendition of his own interpretation: "Being together in the plurality of singular being, for Nancy, is not a union, communion, or merging of any sort. It more so suggests a side by side relation where singularities do not merge into identities or communities of the same, but into pluralities of singular difference." (71-72) Anker continues on this separate-but-related notion and gets help from Badiou's "a Two without synthesis" (93) to show that even though in this approach each side of the relationship stays other, this view "is not simply a solipsistic subjective relation to the other ... The maintaining of difference, in fact, allows a thinking of the other as other outside the self..." (95)

Notice the perhaps telling use of words: "not simply ... solipsistic..." (95) Does this reveal the author believes the view he argues for is solipsistic, or is it supposed to mean the view is not just solipsistic, implying it is so only to a degree, or better still that it is not solipsistic at all? Anker leaves the equivocation to stand, but presumably it is the author's attempt at debunking any accusation of solipsism. Why would he do so in this easily debatable way in view of his empirico-materialism goal? In any event, it would appear such a view has some elements of solipsism. While Anker's view surely addresses better than others some of the layers of solipsism, it very may be failing to address other aspects of it. Judging by his defense of his standpoint to the solipsism allegation we can try identifying what the author assumes is solipsism. That is, since Anker's justification is that if both ends maintain their difference, it "allows a thinking of the other as other outside the self..." (95), can we presume the assumption is to fight the solipsistic belief that only I, together with my experiences, are real; that everything else including others are merely parts of my consciousness? Namely if I willfully allow the other as such outside of myself, then I must not be solipsistic since I recognize the other not as part of my consciousness.

What about, however, another primary solipsistic idea: that other minds cannot be known? Does not the view that refuses any "communion" and "merging" of any sort with the other, submit to this aspect of solipsism? Admittedly there is a clear danger of boxing in the other through knowing as enclosing, but is there not a knowing that is by contrast an opening? How are we to have an ethical relationship with the other if we never connect at some other level than that of the known? [I have in mind Foucault's challenge to think and know differently: "[W]hat is philosophy today-philosophical activity, I mean-if it is not the critical work that thought brings to bear on itself? In what does it consist, if not in the endeavor to know how and to what extent it might be possible to think differently, instead of legitimating what is already known?"] The motivation behind Anker's position is clearly grounded in the fear of the logic of recognition: of "forcing the other into the domain of the same." (94) This is legitimate up to a point, for in order for me to come to see myself ethically as other too, the other that must come to challenge my very identity is like me: deferring difference, interrupted in their own being, precisely by the other, me? Does not this mean there is sameness in difference? Of course, I too am tempted by this: "Both ends keep their difference, and yet between the two there is movement and transformation or again to use the phrase of Badiou, "an experimentation of difference." Experimentation here implies a continuous exchange, a simultaneous giving and taking from the other..." (94) But it seems there is more.

For like undecidable terms, the relationship between self-and-other is not that of reciprocal giving and receiving, or action and re-action, but by contrast, to be ethical, if it is to be kept uncertain, it must be that of interrupted reciprocity, both in me and with the other. And it is such interruption that is common and may then be shared with the other without the risk of totalization. Both the self and other must step out into the other of their own self to have access to the other as such. The other, then, is not made the same as me, for at that moment there is no me. Is there not simply a kind of empirically productive anxiety, not fear, felt in the face of the other as aporia? Is this not connected to Schirmacher's "imperceptible fulfillment" (103) in that homo-generator creates and is created in that unknown and "silence" (103) of the measureless rapport to the other? Another point is that the other be not only logically accepted in their difference but psycho-logically recognized as such in me so that acceptance of difference, not pressure to sameness, is felt in them and may bring about empirico-materialist change. In other words, what about shared emotional uncertainty? What about the uncertainty of letting someone in? It is beyond the scope of this review to delve further.

Having both summarized what I take to be Anker's position and outlined the main lines of his thought, I now want to offer a summary and short extension of the questions that are left unaddressed. I want to stress they are not meant to be repudiations. Instead they are supposed to point out areas that I find require further elaboration in order to take the work to the next level.

Remaining questions:
- What is the empirical experience of enduring aporia?
- How are we to "endure the aporia" (99) when anxiety is experienced in the context of a conditioned desire for certainty?
- What is the relationship between the various sources of Anker's thinking?
- Should not the desire for certainty be deconstructed in the attempt to cultivate an ethics of uncertainty?
- To act ethically, is it sufficient to maintain the other as other?
- Is a view that "allows a thinking of the other as other outside the self" (95) free of solipsism?
- Why is not Foucault's work on ethics and especially his reflections on the governmentality of the self and others used? The author does make use of Butler in the bibliography but not in the text. As briefly mentioned in a footnote above, her treatment of the interrupted subject in the ethical situation could have helped in his discussion of the self and other and maybe have directed him towards analyzing the experiential aspect of enduring aporia.
- Is it not time to explore the unconscious and unknown of relationships?

Final Evaluation:
In spite of persisting questions, The Ethics of Uncertainty is an important book that significantly contributes to contemporary contributions in ethical and political philosophy. While the reader will be rewarded by repeated readings of this book, the finesse of Anker's presentation is seamlessly formulated. Anker's analyses of Derrida, Nancy, Nietzsche, and others are both accessible to those without much background in critical thought, but at the same time thought-provoking to challenge scholars in the field.

References:
Anker, Michael. The Ethics of Uncertainty, edited by Wolfgang Schirmacher. New York: Atropos Press, 2009.
Butler, Judith. Giving an Account of Oneself. New York: Fordham University Press, 2005.
Foucault, Michel. The History of Sexuality, Volume 2: The Use of Pleasure. New York: Vintage Books (1990): 8-9.
Krishnamurti, J. The First and Last Freedom. With a forward by Aldous Huxley. New York: Harper, 1954.

1 of 2 people found the following review helpful.
the necessity of the aporia
By Nicholas Jenkins
What does it mean to live in uncertainty, to live without clearly defined ideas of Truth and it's dialectical brother, Falsehood? How does it effect our day to day decisions, our ethical concerns and even our entire outlook on life? What does it mean to attempt to act within an uncertain world, to exist without even a firm ground from which to conceive of acting? What happens when the Other disappears after Nietzche's "death of God", when all we know or suspect can only be of this world, and not of another metaphysical plane? In essence, what happens when we sense, explosively, in the words of Jean Luc Nancy, that "the world in itself is enough"?

Michael Anker seeks to answer some of these questions in his book The Ethics of Uncertainty by drawing on the works of Jacques Derrida, Nancy, and Wolfgang Schirmacher, among others. Seeking to define, or at least to point to, an ethics which grows out of, or acts from, the acknowledgment that there can be no certain, exclusive permanent state of something which is not already containing within it something else--that is no black without the white-- Anker lays out, in breathtakingly concise forms, a materialist continuation of Derrida's "messianicity without messianism," invoking Nancy's "sense of the world" and Schirmacher's homo generator.

Reducing the thoughts of Heraclitus, Heidegger, and Deleuze, as well as Derrida, Nancy and Schirmacher into a short "summarization" (his words), Anker writes that "as something is coming to be it is always already becoming something other". Using this idea as a touchstone, Anker explains that to understand the work of the above philosophers--as well as our own condition--it is necessary to remember, on a materialist basis, that all things are subject to "continuous activity [and] simultaneous action" and that there is "no point of origin" nor "future in the sense of horizon". Anker writes further that all things "exist only in relation" and that "there is only an excess of being." In this, he attempts to show (for a proof would amount to a certainty) the interconnectedness of all things.
In examining the varied and vast work of Derrida, Anker focuses first on the necessity of the aporia--that is, the blockage or bind--as it relates to the concept of "responsibility", which as he writes, is "intimately entwined with other notions such as duty, decision, ethics and politics." (27) The recognition of the aporia is a necessary precondition for an ethical decision for it is only in its recognition that we allow the space for something other to freely exist. It is the the existence of the bind, temporary and constantly yielding to another, and another, and yet another bind (or double bind, in Derrida's terminology) that allows other things--ideas, concepts, practicalities--to both exist and "to come (a venir)." It is by allowing oneself to remain open, multiple, undefined (except temporarily, momentarily) that one allows the other to come, to be possible. To allow for the possibility of an arrival, one needs to give way to the indeterminate future, embrace the uncertainty over the certain. The moment that is totalized becomes closed, and by extension dead. Freedom, the true "impossible decision" lies, for Derrida, as for Anker, in resisting the totalizing, determining moment, the uncompromising Truth. Anker writes that "totalization, in all its many forms, attempts to close down the future and give nothing other than what is and what is already known. It gives us a world of calculation and pre-existing knowledge in the here and now, but it cannot give us a future which holds the potentiality of an-other, a some-thing other, a thought not yet thought or determined by the present conditions."(43) It is by remaining open in the fluid aporetic space that we allow other things to become manifest, and by so doing act ethically--and thereby, according to Anker, democratically-- by refusing the totalizing structure of (pre)determined knowledge and calculation. "Making decisions here," Anker writes, "in this space of contextual indeterminacy, is truly to make a decision, for the decision did not come by means of predetermined conditions; it was inventive through and through." (33) For Derrida then, in Anker's words, "the moment of decision is always surrounded by a context of indecision." And it is this "context of indecision", in which Derrida's différance, the space between the decisions is allowed to freely disseminate, which allows one to be, or rather to become, constantly and without rest.

It is this multiplicity of being--that is, the constant be-coming of selves--that leads Anker from Derrida to Nancy and then to Schirmacher for, as he writes, "the ego (subject) is not alone even by itself, or in itself; it is always already with itself as multiple selves" and further that this plurality of selves represents not only itself but "a plurality of self with others, and a plurality of other selves with self."(70-71) We cannot separate the self (or selves) that we call ourselves from other selves. It is instead a constant interaction, a flow of beings becoming, the singular (to use Nancy's terms) becoming plural. Nancy writes that "being cannot be anything but being-with-one-another, circulating in the with and as the with if this singularly plural coexistence."(70) The circulating with, or sharing, however, is not simply the result of a rising god-head, the postmodern equivalent of a Vedantic unitary, universal consciousness. It is rather, as Anker writes, "a sharing of singularities--a sharing of the irreducible otherness of each and every singularity itself," making up, and here Anker quotes Nancy, "the singularly plural and the plurally singular."

From this be-coming being of Nancy's existing within and on the margins of Derrida's différance, and as the traces of the singularly plural merge with plurally singular, so Schirmacher's homo generator comes to the foreground as a constantly creative, generating force, one living a life of "imperceptible" fulfillment. This is not a fulfillment built upon the certainty of right and wrong, not the arrogant confidence and satisfaction of piety, but instead a quieter, uncertain quality, one taking place "behind our backs," as Schirmacher notes in a conversation with Jean-François Lyotard, related by Anker. It is a fulfillment which arrives, subtly, easily when in concert with nature and not opposed to it. Anker writes that in "generating and generation, it comes to sense (Nancy) its meaning and thus its possible fulfillment, not in the recognized and determinate domain of thinking, but in a "finite thinking" open to the continuous and uncertain coming of difference and other." (104) It is the constant generating force which gives force to itself, not the built-already, thought-already edifice of conventional thinking. It is the unattached, ungrasping qualities of an uncertain existence which leads to true creativity, and lends perhaps, in the words of Schirmacher, "the chaotic and seemingly failed life a touch of lightness."(103)

Ethical decisions are conventionally judged on previous encounters, prior knowledge of right and wrong gleaned from experience. Whether it is a personal decision or a decision made by society, preceding history--precedent--is always viewed with heavy consideration. It is precisely this, however, which leads one to existing and deciding (irresponsibly, according to Derrida) in a pre-determined and therefore closed universe. Instead, Anker writes, "absolute freedom...opens us to a world without absolute measure," a place of "anxious indeterminacy" where "what we do ... makes all the difference in how the world unfolds."(106) It is only in this unfolded world (constant in its folding and refolding) where the true ethical decision can be made. While there are no clear answers (nor could there ever be in the face of such immense, open possibilities) it is only in this aporetic, uncertain space that true ethical responsibilities can be carried out. Anker writes on the final page of the book that "ethical possibility, or as Derrida would say, a decision worthy of being called a decision (and thus a responsible decision), exists only in this uncertain terrain of contextual becoming--a becoming which be-comes not through the determined path of absolute knowledge or truth, but through the opening (Nancy) in the aporia of being itself."(106) It is only here then that a true decision can be made, if only for an instant, before the arrival of the "to come". Aporias, in a world without absolute measure, like that first step beyond the known universe, give us the absolute freedom through absolute uncertainty to make a truly free decision, and to live a life which is truly "ethical."

1 of 2 people found the following review helpful.
certainly uncertain
By Vijay Singh
Anker, Michael. The Ethics of Uncertainty: Aporetic Openings. Ed. Wolfgang Schirmacher. NY: Atropos Press, 2009. 118pp

With the world knee deep in recession and future mongers screaming out the end of the world in an impending apocalypse nicely scheduled for December 21st 2012, there couldn't have been a better time for a dissertation like Ethics of Uncertainty. So how do we measure uncertainty? Are we in need of a device, gadget or an instrument that can accurately predict the next certain outcome? Have we not created sophisticated technology that can enable us to overcome all barriers? With technology as a marker for progress and success, we still unfortunately seemed to be doomed to the fate that meets and greets us. Was it not the sheer irresponsibility of bankers that led to the recession and economic crisis that looms above everyone's heads today? Couple that with all the doomsday predictions that seem to be surfacing out of nowhere and it is almost a real certainty that we are stuck in an age of increasing anxiety. But with all our sophisticated progress into this new millennium shouldn't we be able to cope with it all? Perhaps what really is needed more than the sophistication of technology is the sophistication of action - the refined being, or perhaps ethical ways of being and becoming within perpetually uncertain terrain. This seems to be the root of investigation that Micheal Anker seems to be exploring.

Ultimately the issue at hand that needs to be addressed is a code of ethics, a system, or even a discipline based around the idea of aporia. In the Eastern traditions of yoga, zen and such similarly aligned concepts, a great amount of attention is focused onto the present moment, the "now", the "what is". After all the state of being is ungraspable and ephemeral, always fleeing, mutating and changing in every moment. "As something is coming to be, it is always already becoming something other" Anker puts it. However instead of conveniently introducing a dogmatic system or method of operation, Anker cleverly turns the idea of the aporia upside down onto its head and uses uncertainty as an opportunity in itself - an opening. This opening then serves as a passage or a window showing how it is necessary and almost essential to the human condition to have the element of incalculable and undetermined, for there is no linear path that being and becoming follows for continuity. There is no strategy or nicely aligned path constructed for anybody or anything. This is further exemplified in structured religious movements, traditions and practices and their struggles in attempts to remain relevant in this day of age. Is a form of discipline, a system or supposed understanding of the beyond then really relevant anymore? As Anker puts it "Meaning comes not as a gathered unity from above (and beyond) but as a singular difference from within the movement and transitivity of becoming."

Micheal finally presents clearly and coherently the fact that individuals need to be open to the uncertain, with a receptivity to whatever comes - to all sorts of endless possibilities that may arise from every direction, creating an unconditioned state of existence. In that sense, what truly is encouraged is an almost autonomous freedom to be open to the "to-come" of the future. As we move into a more globalized state of mind with the emergence of a worldwide web and sophisticated methods of communication and technology on a global level, such a state of infinite openness to possibilities addresses very simple fundamental needs as a being- the need to connect with all other beings and the joy it brings. In that sense, an acute sense of awareness of the uncertainty of the opening is an individual responsibility on multiple levels as we thread in a universe of the infinite, unachieved, uncompleted and simply unknown.

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A short story based on the famous painting by Caravaggio. Judith and her maid Alba plot to kill Holofernes.

• Sales Rank: #2379797 in eBooks
• Published on: 2015-08-10
• Released on: 2015-08-10
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Beautifully written story of revenge
By Susan M. Jacob
Caravaggio's painting of Judith beheading Holofernes now has a story that speaks to all of us about the rage and desire for justice .

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Catherine Sanderson's Social Psychology will help open students' minds to a world beyond their own experience so that they will better understand themselves and others. Sanderson's uniquely powerful program of learning resources was built to support you in moving students from passive observers to active course participants. Go further in applying social psychology to everyday life. Sanderson includes application boxes on law, media, environment, business, health and education in every chapter right as the relevant material is introduced, rather than at the end of the book.  This allows students to make an immediate connection between the concept and the relevant application ? and provides a streamlined 15 chapter organization that helps you cover more of the material in a term.

• Sales Rank: #180381 in eBooks
• Published on: 2009-12-02
• Released on: 2009-12-02
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
Great social psych textbook - highly recommend
By KMT
I am a PhD student in social psychology and I used this textbook in my undergrad intro course. It is hands down the best social psychology textbook I have ever used. Well organized, clearly written. The author does a great job relating social psychology to everyday life by pointing out connections to health, education, media, environment, law, business, etc. throughout the text - there is something for everyone to get excited about here. Perfect for anyone looking for an introduction to social psych.

0 of 0 people found the following review helpful.
Page turner
By John Manning
I read every word of this textbook instead of going to my 400 level social psychology class at 8 a.m. two days a week and I got an A in the class. Pretty much the only textbook I've ever read as if it were a novel, I liked it.

0 of 0 people found the following review helpful.
Purchased for a Social Psychology Class
By RunsWitBigDogs
This book has some good insight and offers answers to many Social Psychology questions - easy to read and understand. Bought it used for a good price.

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• Sales Rank: #2054533 in Books
• Brand: Tyreman, Chris
• Published on: 2012-07-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .69" w x 6.81" l, .83 pounds
• Binding: Paperback
• 248 pages

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• Used Book in Good Condition

Review
Prospective students seeking education or private individuals immigrating to or seeking employment in an English speaking country.

About the Author
Chris Tyreman has 12 years of experience of coaching candidates in Math, English and IQ tests. He is the author of numerous other works including How to Master the UKCAT, also published by Kogan Page.

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0 of 0 people found the following review helpful.
full of information
By Maria Hidalgo
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